Lord of the Rings — comings to Cannes RSN…
From: “Douglas Shoop” (spam-protected)
To: “forteana” (spam-protected)
Sent: Tuesday, May 01, 2001 8:53 PM
Subject: LOTR update
Getting Into the Cannes ‘Do Spirit
by John Forde | May 1, 2001
Here in Hobbitland, there’s only one word on everyone’s lips: Cannes.
New Line unveils its worldwide media launch for the trilogy at the Cannes Film Festival this month, with a reel of selected footage from the films and a much aniticpated, invitation-only party.
The studio has rented a medieval castle just outside of Cannes for the showcase event, and it has been furnished with props from the set. LOTR’s editing crew has been working overtime to finish a special teaser with selected scenes, to be shown to international film distributors. Most of LOTR’s stars are expected to be in attendance, including Elijah Wood, Sean Astin, Ian McKellen, Liv Tyler, Cate Blanchett and Christopher Lee. Incidentally, it’ll be the first time many of the cast have met, owing to conflicting schedules last year.
The Music Man: LOTR composer Howard Shore was in Wellington recording some of his score with the New Zealand Symphony Orchestra and a 50-member men’s choir. Sources say the music was recorded for the Cannes trailer, which gives Shore a chance to develop his themes for the final movie score.
Meanwhile, Back at the Ranch… The trilogy’s stars have been quietly flying back to New Zealand for ADR [additional dialogue replacement, or looping]. We spoke to a jet-lagged Billy Boyd (Pippin) and Dominic Monaghan (Merry), who were both pleased to be back in New Zealand and looking forward to donning designer tuxedos for Cannes.
Also in town are the two Sir Ians–McKellen (Gandalf) and Holm (Bilbo)–who had fun fielding each other’s calls as they stayed in the same hotel. Sean Astin has also been spotted with wife and daughter in tow.
Good Gollum: Andy Serkis is also expected back Down Under to finish postproduction effects for Gollum. Describing his character as a “Ring-junkie” who experiences withdrawal symptoms, Serkis calls Gollum “the point of human contact for what the Ring does to you. He’s very much a case of ‘There but for the grace of God go I.’ ”
The Gollum special-effects process includes motion capture technique–where performers wear a special suit covered with reflective dots, and their movements are read by a computer-driven camera and translated into an equivalent computer image. Look for our visit to the motion capture department in an upcoming report.